Currently, Phu Cam Cathedral serves as the main cathedral of the Archdiocese of Hue and is located on Phuoc Qua Hill at 06 Nguyen Truong To Street, Phuc Vinh Ward, Hue City, with a total area of 10,804 square meters.
Speaking about the architecture of Phu Cam Cathedral, one cannot fail to mention Architect Ngo Viet Thu, the visionary behind the elegant design and layout of this cathedral. As a native of Hue, he was known for his expertise in classical Chinese studies, Feng Shui, and had a deep understanding of both Western language and architecture. He won the Grand Prize for Architecture from the Roman Academy in 1955 and was the first Asian to be honored as an Honorary Fellow of the American Institute of Architects. Additionally, he was a poet, painter, and had a broad knowledge of traditional musical instruments, all of which contributed to the unique, multi-lingual character of his architectural creations. It took a considerable amount of time and effort to fully comprehend and appreciate the synthesis of cultural elements in his architectural works. Ngo Viet Thu can be seen as a harmonization of various cultural aspects woven into his creative architectural designs.
The 1960s were considered the peak of his creative career, during which he designed monumental structures. According to his son, Architect Ngo Viet Nam Son, "My father produced more work in the 1960s than in all the other years combined" (Conversation with Architect Ngo Viet Nam Son about his father, Giac Ngo Newspaper, 08/21/2013). Alongside other remarkable works such as Hue Pedagogical University, Huong Giang Hotel I, Independence Palace in Saigon (now Ho Chi Minh City), and the Nuclear Institute in Dalat, Phu Cam Cathedral stands as a testament to his creative prowess during this period.
Phu Cam Cathedral is a richly expressive structure, standing tall like an expanded Holy Bible, with a construction layout resembling a Cross: the head of the Cross facing south, the base of the Cross facing north, and near the head, two wings extending on either side of the Cross. When viewed as a whole, the cathedral resembles a dragon ascending straight into the sky—powerful yet graceful, artistically and spiritually profound.
From any perspective, the cathedral exudes the beauty of reverence and grandeur.
The cathedral's construction incorporates modern building techniques, but its decoration predominantly follows classical Western art. The pillars supporting the roof are seamlessly integrated into the two inner walls of the cathedral, curving gently forward before rising high and connecting with each other in pairs with a graceful curve at the top, resembling hands coming together in prayer. Particularly noteworthy is the sanctuary, where from each of the four corners, three supporting pillars extend outward, appearing like hands reaching out to grasp one another, creating a spacious area to encompass the altar. The sanctuary is circular with ascending tiers, and above it is a smaller circular platform with the altar. The altar itself is made of a single block of camstone sourced from Non Nuoc, Da Nang, resting on a round base with three symbolic tiers representing the three realms: Heaven, Earth, and Humanity, an element of Eastern architecture. It is where the pulpit for the clergy is located, along with seating for those participating in the liturgy.
The white stone statues are the highlights of the cathedral's garden.
On a raised platform at the center is the Cross of Christ (a pine tree taken from the Thiên An hill in Huế), with a statue of Jesus bearing the crucifixion, and above it is a painting of Jesus extending his arms in the Last Supper with the inscription: "Chúc tụng Thiên Chúa đến muôn đời" (Praise God for all eternity). Every year, during Christmas, thousands of worshipers and visitors flock to the cathedral, and it becomes bustling both inside and outside.
The cathedral's interior is vast, with long rows of benches that can accommodate approximately 2,500 people for worship. On both sides of the interior, there are rows of paintings set within wooden frames depicting scenes from the life of Jesus, and above them are rows of clear and light green stained glass windows to provide ample natural light even during rainy seasons. The Temporary House, a smaller structure, is built adjacent to the recessed part at the back of the interior, placed centrally, combining an atmosphere of solemnity and visibility.
Not only does the cathedral's courtyard resemble the shape of the Holy Cross, but the interior of the sanctuary also follows a similar pattern with two wings on either side. The space on the left side (when viewed from inside) houses the altar dedicated to the martyrdom of Tống Viết Bường (killed in 1833), a native of Phủ Cam. On the right side (opposite), there is the tomb of the former Archbishop Nguyễn Kim Điền (1921 - 1988), who played a significant role in the construction of the cathedral.
Phủ Cam Cathedral features two bell towers, each standing at a height of 43.5 meters, with 12 levels in each tower. The dimensions of the cathedral are 80 meters in length and 24 meters in width. In front of the cathedral, there are two statues of Saint Peter and Saint Paul made of white cement, crafted by the artist Đinh Văn Lương from Ho Chi Minh City. These statues were cast in three sections and later assembled by pouring cement to create a perfect representation. All of these elements come together to create a sense of perfection in this solemn and impressive structure, which is also gentle and inviting, like the open arms of the Lord welcoming all His faithful followers.
Phu Cam Cathedral is a magnificent and historically significant church, representing the Catholic Archdiocese of Hue.