Currently, Phu Cam Cathedral serves as the main cathedral of the Archdiocese of Hue and is located on Phuoc Qua Hill at 06 Nguyen Truong To Street, Phuc Vinh Ward, Hue City, with a total area of 10,804 square meters.
Speaking about the architecture of Phu Cam Cathedral, one cannot fail to mention Architect Ngo Viet Thu, the visionary behind the elegant design and layout of this cathedral. As a native of Hue, he was known for his expertise in classical Chinese studies, Feng Shui, and had a deep understanding of both Western language and architecture. He won the Grand Prize for Architecture from the Roman Academy in 1955 and was the first Asian to be honored as an Honorary Fellow of the American Institute of Architects. Additionally, he was a poet, painter, and had a broad knowledge of traditional musical instruments, all of which contributed to the unique, multi-lingual character of his architectural creations. It took a considerable amount of time and effort to fully comprehend and appreciate the synthesis of cultural elements in his architectural works. Ngo Viet Thu can be seen as a harmonization of various cultural aspects woven into his creative architectural designs.
The 1960s were considered the peak of his creative career, during which he designed monumental structures. According to his son, Architect Ngo Viet Nam Son, "My father produced more work in the 1960s than in all the other years combined" (Conversation with Architect Ngo Viet Nam Son about his father, Giac Ngo Newspaper, 08/21/2013). Alongside other remarkable works such as Hue Pedagogical University, Huong Giang Hotel I, Independence Palace in Saigon (now Ho Chi Minh City), and the Nuclear Institute in Dalat, Phu Cam Cathedral stands as a testament to his creative prowess during this period.
Phu Cam Cathedral is a richly expressive structure, standing tall like an expanded Holy Bible, with a construction layout resembling a Cross: the head of the Cross facing south, the base of the Cross facing north, and near the head, two wings extending on either side of the Cross. When viewed as a whole, the cathedral resembles a dragon ascending straight into the sky—powerful yet graceful, artistically and spiritually profound.
From any perspective, the cathedral exudes the beauty of reverence and grandeur.
The cathedral's construction incorporates modern building techniques, but its decoration predominantly follows classical Western art. The pillars supporting the roof are seamlessly integrated into the two inner walls of the cathedral, curving gently forward before rising high and connecting with each other in pairs with a graceful curve at the top, resembling hands coming together in prayer. Particularly noteworthy is the sanctuary, where from each of the four corners, three supporting pillars extend outward, appearing like hands reaching out to grasp one another, creating a spacious area to encompass the altar. The sanctuary is circular with ascending tiers, and above it is a smaller